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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">bik</journal-id><journal-title-group><journal-title xml:lang="ru">Библиография и книговедение</journal-title><trans-title-group xml:lang="en"><trans-title>Bibliography and Bibliology</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2411-2305</issn><publisher><publisher-name>Российская государственная библиотека</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.25281/2411-2305-2025-4-31-41</article-id><article-id custom-type="elpub" pub-id-type="custom">bik-530</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ДИСКУССИИ И ОБСУЖДЕНИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>DISCUSSIONS AND SPECULATIONS</subject></subj-group></article-categories><title-group><article-title>Литературные NFT в современной издательской практике</article-title><trans-title-group xml:lang="en"><trans-title>Literary NFTs in Modern Publishing Practice</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Морозова</surname><given-names>Дарья Николаевна</given-names></name><name name-style="western" xml:lang="en"><surname>Morozova</surname><given-names>Daria N</given-names></name></name-alternatives><bio xml:lang="ru"><p>Институт издательского дела и журналистики, аспирант</p><p>Большая Семеновская ул., д. 38, Москва, 107023</p></bio><bio xml:lang="en"><p>Moscow</p></bio><email xlink:type="simple">dariatereshina@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Московский политехнический университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Moscow Polytechnic University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>26</day><month>08</month><year>2025</year></pub-date><volume>0</volume><issue>4</issue><fpage>31</fpage><lpage>41</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Морозова Д.Н., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Морозова Д.Н.</copyright-holder><copyright-holder xml:lang="en">Morozova D.N.</copyright-holder><license xml:lang="ru"><license-p>© 2026 ФГБУ "Российская государственная библиотека". Все права защищены. Воспроизведение без письменного разрешения запрещено.</license-p></license><license xml:lang="en"><license-p>© 2026 Russian State Library. All rights reserved. Reproduction without written permission is prohibited.</license-p></license></permissions><self-uri xlink:href="https://bik.rsl.ru/jour/article/view/530">https://bik.rsl.ru/jour/article/view/530</self-uri><abstract><p>В статье рассматривается новый вид издательских проектов — литературные NFT (невзаимозаменяемые токены). Дается трактовка понятию «литературные NFT», обосновываются особенности использования невзаимозаменяемых токенов в современном книгоиздании. Приводятся примеры первых NFT-издательств, невзаимозаменяемых изданий и диджитал-платформ, реализуемых на базе технологии блокчейн, анализируется их влияние на издательскую индустрию. Исследование освещает как технологические, так и культурные аспекты внедрения NFT в издательскую индустрию, включая вопросы децентрализации, авторства, цифровой уникальности текста и вовлеченности аудитории.</p></abstract><trans-abstract xml:lang="en"><p>This article explores a new type of publishing project — literary NFTs (non-fungible tokens). The concept of «literary NFTs» is defined, and the features of using non-fungible tokens in contemporary book publishing are examined. The article presents examples of the first NFT-based publishing houses, non-fungible editions, and digital platforms built on blockchain technology, analyzing their impact on the publishing industry. The study addresses both the technological and cultural dimensions of integrating NFTs into publishing, including issues of decentralization, authorship, digital uniqueness of texts, and audience engagement.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>NFT</kwd><kwd>издательский проект</kwd><kwd>монетизация</kwd><kwd>блокчейн</kwd><kwd>цифровая литература</kwd><kwd>издательская индустрия</kwd><kwd>книгоиздание</kwd></kwd-group><kwd-group xml:lang="en"><kwd>publishing project</kwd><kwd>monetization</kwd><kwd>blockchain</kwd><kwd>digital literature</kwd><kwd>publishing industry</kwd><kwd>book publishing</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Manoylov M.K. A brief history of NFTs: From CryptoPunks to Bored Apes // The Block. October 18, 2023. 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